Pubster Portraits 2022-2024

As many readers will know, I carried around a camera at the Pub for a couple of years. I didn't know what I was doing at first, but I found people's faces and expressions the most interesting subject matter. So I began taking impromptu portraits.

Pubster Portraits 2022-2024

As many readers will know, I carried around a camera at the Pub for a couple of years. I didn't know what I was doing at first, but I found people's faces and expressions the most interesting subject matter. So I began taking impromptu portraits.

The Camera And Lenses Used

The camera I was using was a Canon 5D Classic, a digital pro-body from 2005. I think it only has twelve mega-pixels, but I don't think that matters much. I bought it directly from Japan with only 4.000 shutter-actuations. I paired this with a 50mm 1.8, known in the photographic world as a "nifty-fifty." I also had a flash on a cable and a pancake 40mm lens I would sometimes use.

These are not studio portraits. Studio portrait photographers, I don't know how you do it day-in and day-out. I salute you. I didn't want to set up a booth at the Pub, even if I was given permission to do so. I wanted expressive, candid shots of the people I knew. In-situ.

For some of the shots, I had to get really close to my subject because of the wide field-of-view of the lenses that I was using, and shallow depth-of-field resulting from the apeture I was using. I usually shot wide-open. I like something called bokeh. A term in the photographic world used to describe a focused subject against a blurry background. In particular, bright lights become fuzzy ellipses. This behavior on the part of the photographer was jarring to some of my subjects, and caused a variety of reactions, from laughter to sour faces and furrowed brows. I enjoy the results of this setup immensely. In all cases I tried to capture my subjects being their most authentic selves during a candid moment at the Pub. And I think I succeeded at that at least.

My modest camera setup.

If you don't see your photo here, that could mean one of several things: You didn't come to the pub between 2022 and 2024; I didn't take your photo; The photo was not migrated to my current operating-system because I had a computer-crash last year when I was switching internet providers.

By the way, if you don't have Sonic Fiber as your internet provider yet, and it is available in your area, I don't know what to say to you. I switched over from Comcast Xfinity and I must say, there is no comparison. When I saw the Sonic truck on our block, I immediately called them.

Computer Crash And Lost Photos

I lost a lot of photos at that time because when I began the Dropbox backup I didn't know how long it would take and there was no progress meter. I let it run for about six hours and didn't have the energy to double-check that each file was backed up. I thought that six hours would be plenty of time. But Xfinity was so slow uploading that it failed to back everything up. When I opened Darktable on my newly installed operating system, I was horrified to find this out.

What is here represents what I have left of the high-resolution photos.

The Pubsters Photo Albums

I made a total of two photo albums on Shutterfly, Pubsters 2022 and Pubsters 2023. I think I sold twenty-eight copies all-together. They were quite expensive to print, and I was selling them at-cost. I don't have any copies available right now but you can buy them directly using the links above. I don't remember the price exactly, but I think they were around $50 or $60 each to print and ship depending on how many were ordered.


Darktable

The program I use to view and edit the photos is called Darktable, a free, open-source alternative to Adobe's Lightroom. I highly recommend it. It is not as intuitive but if you dig into the forums, there seems to be a consensus in the photography community that it is more powerful and granular than Lightroom.

Darktable.

Why I Didn't Continue The Project

People ask me all the time why I didn't keep going, and it stumps me every time. The simple answer is I don't know. It was largely successful, and the idea of a kind of photographic year-book for the Pub is a novel one. The long answer is that I got involved in other stuff. At the beginning of the pandemic I began to get into music production. Music production, recording multi-track audio and chasing down musicians is a deep-dive and it began to take more and more of my time and energy. That is not to say I will never pick up my camera again. I am simply not a good multi-tasker, and when I get into something I like to do it all the way. I still love photography, but I also love creating music. Music and music production is what I am focused on for now. I have written a 10,000 word personal essay about my love for music, it is called A Pachinko Life, and I would be honored if you read it sometime. But I totally understand if you don't.

The Pub And Pubsters

The Pub has played a very important role in my life. It has slowly turned me into a social creature, from a wild-man. I'm still wild, but I consider my life-decisions and people's safety and comfort more carefully these days. I met Jenny there when she was a patron, and we have been together now for over ten years. Many jobs and opportunities I have had are a direct result of my time at the pub. What can I say? I love the Pub. And I love all of you. Truly. When I think of each of you, you stand out in my mind as amazing, unique, beautiful, talented people. I wanted to capture that as much as possible. I value our friendships and it is the little things that make life interesting.

On to the photos!
Best viewed on the desktop, on as large a screen as possible. But you can get the basic idea on mobile.

Jenny makin' those Washingtons.
Anastasia and Alexey at New Year's Eve 2023.
Berhane and Pascale.
Ethan and Tim Yee.
Jenny and Dominique.
Peggy Schmidt and Jenny.
Frank Lococo.
Will and Garrett booping eachother.

One beer Jim.
Pascale with a Sour.
Greg Milla. Lookin' good buddy.
Jeff Sacramento.
I just thought this was a cool shot.
Logan.
Jason and Anton.
Scott and Paul Rhinehoud.
Connor's Mom and Connor.
Barang.
Chris and Nathan.
Dean.
Cherish.
Eddie Blade.
Pascale and Ethan.
Joshua.
Connor and Karina.
Jeff.
Koko.
Ardylon.
Win.
Todd Matthews.
Alana Claire Treischman.
Craig Lawson.

Garrett with more hand-gestures.
Liam and Ryan.
Jess Olip-Booth, a rare visit from Phil, and Becky Matthews.
Jonah Silver-Thomas.
Casper Vandermei. You guys probably don't know him, but he's a good friend of mine.
Still-Life.
Nathan and Jacob.
Tom Harrington, Pambos Kesta, Laura Byrne.
No more smoking in the back room?
Ian and Robyn.
Liam, Savannah and Library Bob.
Coyote and Lyra.
Sam and Cooper.
Decklan and Cooper.
Tom Price and Nathan.
Now we are entering the Portraits Section.
Zack Minor.
Tom Harrington.
Logan.
Anastasia.
Alexey.
Boston Mike.
Trevor Calvert. A little shaky holding the camera.
I just like this slow-shutter shot of Randy.
Berhane.
Savannah.
Arian.
Garrett and Arian.
Max.
Devon.
Wendy.
Chris.
Jess' famous cigarette tin.
Robyn.
Matt Schmid.
Dominique Wah.
Pambos Kesta.
Dean Schmitz.
Randolph.
Aiysha.
Mike.
Geoffrey Saunders. Patron since the 1980s.

The Schmidt Family. Proprietors of Schmidt's Tobacco & Trading. Also known as The Pub.


Liam.
"Finish your beers, the Pub is now closed."